The Idea Of Romantic Love Essay - 1200 Words

We are brought up on romantic love. Is this true in your experience? If so write a paper on which you first define this amorphous concept and then discuss how you came about it. For eg. Have you been influenced by media, T.V., movies in particular. Conclude by stating whether you believe in romantic love or have cast of the idea. â€Å"I don’t care what you think, when he comes I’ll leave and won’t even turn back and look at you, he’ll love me, he won’t be like you†¦Ã¢â‚¬  Words spoken by me when I was barely 10 years of age. I was addressing my mother after we’d had an argument and referring to the arrival of my prince charming who would understand all my dilemmas and make life ‘heaven’ for me. Such is the perception of romantic love that I formed†¦show more content†¦All our cultural conditioning makes us regard love as a single positive feeling, when in fact there are a multitude of feelings, including those of envy, hostility and jealousy, mutual bitterness and some positively inhuman actions - all sanctified, as it were, by a single word: love. To this word we tag all kinds of expectations. Our over focus leads us to demand too much from love. We put all our emotional eggs in one basket: a romantic partner must be all things to us - lover, friend, companion, playmate and parent. We don’t realize that no matter how hard a partner tries to be all things to us, gratifying all of one’s needs is a herculean task - beyond the human calling. Cultural ideas that love is obtainable by quot;wishing on a starquot; or calling on ones fairy godmother, is a result of quot;destiny,quot; or other wish-fulfillment myths blind people to the reality that values must be earned by self-generated and self-sustaining action. Romantic relationships are the greatest arena for spiritual growth available to us. It is well worth the risk to take a chance on love if we are viewing it as a learning experience rather than the goal in, and of, itself. Romance is part of the journey - not the destination. There is nothing wrong with wanting the prince or princess to come into our lives. What is important is to know that they will have issues to work through - and they will push the buttons of our issues so that we are forced toShow MoreRelatedRealistic Vs Romantic Love In A Midsummer Night’S Dream.1573 Words   |  7 PagesRealistic vs Romantic Love in A Midsummer Night’s Dream William Shakespeare’s writing has stayed very applicable through the years. It was applicable to the times when he wrote his works and is applicable today in similar and different ways. A key theme throughout Shakespeare’s work is love, one of the most fundamental human experiences and emotions. Throughout A Midsummer Night’s Dream, the theme of love is built up and dissected. The characters are passionate about love from the beginning. TheRead MoreThe Perception of Love in Romantic Films955 Words   |  4 Pages Weve all seen them, those cheesy romantic comedies where two (beautiful) strangers meet and fall in love. They run into some sort of conflict and eventually find a way back to each other in the end. Although that seems like a harmless concept, that kind of love results in unrealistic expectations of what a life partner should be, unrealistic expectations of what the ideal woman or man should look like and unrealistic expectations of what constitutes healthy conflict resolution. The majorityRead MoreEssay On Romantic Love1503 Words   |  7 PagesMarriage poses a threat to the search for romantic love because, as Solomon in â€Å"All About Love† states, the â€Å"long history of marriage as a sacrament has little to say about sexual love, and sometimes has much to say against it.†(Page 60, Solomon). In fact, the idea of sexual and emotional love, or courtship love, actually provided an alternative means to a loveless marriage rather than preluded it. â€Å"The history of romantic love seems to indicate that love has its origins not only independent of marriageRead MoreEssay On Romantic Love1571 Words   |  7 Pages Romantic Love Ryan Alejandro Cabrera California State University, Long Beach Human Sexuality and Sex Education H SC 425 November 2, 2017 Introduction Love is a virtue. Especially in the context of romantic love. It is a mutual deep affection that instills both partners with the feeling of happiness, a sense of safety, and unity. These feelings however, originate as neurotransmitters. Chemical substances traveling between synapses providing us the feelingRead MoreThe Love Of Love And Love1732 Words   |  7 Pagesstill today, love is one of the most talked about topics, from the media to our everyday lives. It is described as being one of the best feelings on earth, and one that many cannot live without. Being in love gives a feeling of purpose; something to live and strive for. Everyone in this world desires love in any form, whether it is with family, friends, or a romantic partner. It is a basic human need. Basic needs are said to motivate people when they are essentially unmet. When love and affectionRead MoreEssay on Romance Movies and Real Life Relationships1249 Words   |  5 Pagesgenre where the plot revolves around th e love between two main characters as they experience the highs and lows of love. â€Å"Common themes that revolve around romantic movies are kissing, love at first sight, tragic love, destructive love, and sentimental love† (Taylor). These themes appear in many historical films and the pattern still continues in modern films as well. Watching romantic movies has a giant negative influence on the viewers analysis of what love and relationships should really be likeRead MoreThe Social Dynamics Between Men And Women Of The 1920s1436 Words   |  6 Pagesto the romantic lover s passion, his devotion, his doggedness, but in life, especially today, wouldn t we call them stalkers and stop far short of praising their virtues? It is often difficult to draw a fine line between both a romantic and a fool. I have not really studied the social dynamics between men and women of the 1920s, but to today’s standards Jay Gatsby stands more toward a fool.The general argument made by ma ny critics of Jay Gatsby is his efforts to pronounce his undying love towardsRead MoreRomanticism : A Time Of Modification1120 Words   |  5 PagesTime of Modification The Romantic period was a time of literary, artistic, and musical expression that allowed groups of academics in England to evolve into a defined movement. Romanticism is identified with ideals of love, nature, and other identities that are almost always associated with those of the Romantics. Of Romantic texts, the idea of the period is that love and nature, are able to surpass rational being and enhances the ability to deal with daily life. This idea of emotion and the glorificationRead MoreBy the end of the eighteenth century, thought gradually moved towards a new trend called1200 Words   |  5 Pagesworld. The romantics overthrew the philosophical ways of thinking during the Enlightenment, they felt that reason and rationality were too harsh and instead focused on the imagination. Romantics believed in freedom and spontaneous creativity rather than order and imitation, they believed people should think for themselves instead of being bound to the fixed set of beliefs of the Enl ightenment. Romanticism and Love Of all the emotions celebrated by the Romantics the most popular was love. However,Read MoreThe Merchant of Venice as a Romantic Comedy - Critical Analysis1690 Words   |  7 Pageshas more Romantic characteristics than classical. It is also one of the earliest productions of the middle period. In this play Shakespeare seems to have obtained the highest use of his powers as a playwright, his faculties as a poet and philosopher seem to be approaching their grand maturity without losing the ardor and hopefulness of youth. There is loftiness of thought and expression. br brRomance was an old tradition and Romantic ideas were common during Shakespeares time. Romantic Comedy

The Sea And The Old Man - 1176 Words

Jason Chadwick Mr. Spence Freshman Honors English October 31, 2014 The Sea and the Old Man An old man, alone in the ocean with no other humans in sight, struggles to pull an eighteen-foot marlin close enough to his boat to strike the killing blow. He is tired, and almost at the end of his strength. He thinks to himself, I will try one more time. In The Old Man and The Sea by Ernest Hemingway, protagonist Santiago finds himself in an ongoing struggle for dominance. He must persevere through pain and adversity in order to catch a giant marlin, and then make his way back home afterwards. In the beginning of the book, Hemingway paints a picture of what the â€Å"code† hero, or ideal character, would be. Santiago is definitely one of these code heroes. Throughout the book, he shows incredible perseverance through difficult situations, he recognizes his flaws and accepts them, and he faces death, of both his goal and himself, without fear or concern. Santiago’s perseverance is a clear sign that he is one of Hemingway’s code heroes. In both his everyday life and his fight with the marlin, Santiago does not give up and endures whatever pain may come. At the beginning of the book, Manolin reminds Santiago of how they â€Å"went eighty-seven days without fish and then †¦caught big ones every day for three weeks’† (10). Santiago has had to go through hard times, â€Å"eighty-seven days without fish,† but he still perseveres through the hardships and in the end comes back from the hard times. EvenShow MoreRelatedThe Old Man And The Sea1154 Words   |  5 PagesThe sea in a way is like a living being. The way it rhythmically carries itself, showing all of its majestic beauty. The sea has such power, each wave coordinately smashing against whatever stands in its way. Sea erosion, most commonly known as coastal erosion, is the slow process of wave action constantly shaping and reshaping the coastli nes of our world. In The Old Man and the Sea, Ernest Hemingway portrays nature as a continuum-an endless progression of the invention and destruction which is ultimatelyRead MoreThe Old Man And The Sea1561 Words   |  7 Pages The Old Man and The Sea is more than a book about a fish and an old man, it teaches us strength and never giving up on ourselves. The Old Man and The Sea is written by Ernest Hemingway about Santiago, The Old Man. Hemingway is a writer known for his iceberg themes in his novels, where ten percent of its message is what you read and the ninety percent is hidden. That ninety percent is up to interpretation. My interpretation is Hemingway’s The Old Man and The Sea he expressesRead MoreThe Old Man and the Sea900 Words   |  4 PagesThe Old Man and the Sea is a short, but rich novel about an old fisherman who, after eighty-four unsuccessful days in a row, hooks the largest fish of his life. Written by Ernest Hemingway in 195 1, and published in 1952, the novel was the last of Hemingway’s novels to be published during his lifetime. The book was praised by critics, and became an immediate success. The story was also awarded the Pulitzer Prize for fiction, and was a factor in Hemingway winning a Nobel Prize. The story was publishedRead MoreThe Old Man And The Sea Essay1718 Words   |  7 Pagesearly to mid 20th century. Known mainly for his success in writing the critically acclaimed novel, The Old Man and the Sea, Hemingway had many symbolic meanings instituted throughout this novel and many other works. Many having the theme of a hero confronting a natural force, as seen when Santiago confronts the mighty sea. Along with the heroic themes, Hemingway had become a religious Catholic man growing up and decided to include many religious references and biblical allusions. Since the beginningRead MoreThe Old Man And The Sea1128 Words   |  5 PagesLiterature Analysis 3 The Old Man and the Sea was written by Ernest Hemingway. It was published by the Charles Scribner’s Sons in 1952, and contains 127 pages. The genre is literary fiction. The story is about an old man named Santiago who fishes alone in the Gulf Stream and has been very unsuccessful for the past 84 days. A simple tale, this takes timeless themes of courage of one man’s struggle and personal triumph. The author’s purpose was to write both a realistic andRead MoreThe Old Man And The Sea1412 Words   |  6 Pagesboth having completely different writing styles and ideas, seem to have an underlying similarity in how they view leadership and heroism. The Old Man and the Sea by Ernest Hemmingway and Sea of Poppies by Amitav Ghosh both show internal battles and undeniable fate within characters throughout each novel. In The Old Man and the Sea Hemmingway uses Santiago, the old Cuban fisherman, to represent internal transformation, renewed life, triumph, and defeat. Ghosh also represents similar struggles throughRead MoreThe Old Man And The Sea1586 Words   |  7 Pageswithin the plot of the novel, The Old Man and the Sea and the motion picture, Life of Pi. In the novel, the old fisherman, Santiago spends a few days out at sea attempting to capture the fish of his dreams. He battles through pain, thirst and hunger in order to bring the Marlin to the shore. However, whi le losing his prey, he gains a priceless experience combined with pride, respect and compassion. On the other hand, the main character in the movie survives at sea for 227 days with a wild animal,Read MoreThe Old Man And The Sea1121 Words   |  5 Pagesimpact on the author of The Old Man and The Sea, Ernest Hemingway. Gertrude, an American novelist, poet, playwright and art collector, served as a mentor for Ernest. The novelist also served as a godmother to Ernest along with her companion, Alice B. Toklas. Ernest Hemingway used his experience with Gertrude in his 1952 book, The Old Man and The Sea. Santiago and Manolin share a relationship similar to Ernest Hemingway and Gertrude Stein. Throughout The Old Man and The Sea, Ernest Hemingway providesRead MoreThe Old Man And The Sea1395 Words   |  6 PagesBoth The Old Man and the Sea by Ernest Hemingway and â€Å"To Build a Fire† by Jack London both explore the literary conflict of man verses nature. Both main characters sha re many similarities; however, they also have various differences that set them apart as well. In The Old Man and the Sea the story is about Santiago, an old fisherman who sets out one day and catches the fish of a lifetime. Santiago then spends multiple days fighting the fish in the middle of the ocean. â€Å"To Build a Fire† is about aRead MoreThe Old Man And The Sea993 Words   |  4 Pages one Earnest Hemingway’s The Old Man and the Sea, is a captivating story about and old seasoned fisherman named Santiago. It is a tale of his epic struggle with the greatest catch of his life after not catching anything for eighty-four days. He face psychological challenges and encounters multiple villains. Santiago is fishing with a young boy named Manolin and the boy leaves the old man to go on another boat. Hemingway explains to us why they boy had to leave the boat. â€Å"But after forty

The Crystal Shard 20. A Slave to No Man Free Essays

â€Å"No arguin’,† Bruenor snarled, though none of his four friends standing beside him on the rocky slopes of the climb had any intention of speaking against the decision. In their foolish pettiness and pride, the majority of the spokesmen had doomed their communities to almost certain destruction and neither Drizzt, Wulfgar, Catti-brie, nor Regis expected the dwarves to join in such a hopeless cause. â€Å"When will you block the mines?† Drizzt asked. We will write a custom essay sample on The Crystal Shard 20. A Slave to No Man or any similar topic only for you Order Now The drow hadn’t yet decided if he would join the dwarves in the self-imposed prison of their caves, but he had planned to act as scout to Bryn Shander at least until Akar Kessell’s army moved into the region. â€Å"The preparin’ll begin tonight,† said Bruenor. â€Å"But once they’re in place, we’ve no rush. We’ll let the stinkin’ orcs come right down our throats afore we drop the tunnels, an’ take ’em in the fall! Are ye to stay with us, then?† Drizzt shrugged his shoulders. Though he was still shunned by most of the people of Ten-Towns, the drow felt a strong sense of loyalty and wasn’t sure that he could turn his back on his chosen home, even under suicidal circumstances. And Drizzt had little desire to return to the lightless underworld, even in the hospitable caverns of the dwarven town. â€Å"And what’s yer decision?† Bruenor asked Regis. The halfling, too, was torn between his instincts for survival and his loyalty to Ten-Towns. With the help of the ruby, he had lived well during the last years on Maer Dualdon. But now his cover had been stripped away. After the rumors flowing out of the council, everyone in Bryn Shander whispered about the halfling’s magical influence. It wouldn’t be long before all of the communities heard about Kemp’s accusations and avoided, if not openly shunned, him. Either way, Regis knew that his days of easy living in Lonelywood were nearing an end. â€Å"Thank you for the invitation,† he said to Bruenor. â€Å"I’ll come in before Kessell arrives.† â€Å"Good,† replied the dwarf. â€Å"Ye’ll get a room near the boy, so none o’ the dwarves has to hear yer bellyachin’!† He flashed Drizzt a good-natured wink. â€Å"Nay,† said Wulfgar. Bruenor looked at him curiously, misunderstanding the barbarian’s intentions and wondering why he objected to having Regis beside him. â€Å"Watch yerself, boy,† the dwarf teased. â€Å"If ye’re thinkin’ ye’re to be stayin’ beside the girl, then be thinkin’ about duckin’ yer head from the swing o’ me axe!† Catti-brie chuckled softly, embarrassed yet truly touched. â€Å"Your mines are not the place for me,† Wulfgar said suddenly. â€Å"My life is on the plain.† â€Å"Ye forget that yer life is mine for choosin’!† Bruenor retorted. In truth, his yelling was more the short temper of a father than the outrage of a master. Wulfgar rose before the dwarf, proud and stern. Drizzt understood and was pleased. Now Bruenor also had an idea of what the barbarian was getting at, and though he hated the thought of separation, he felt more pride in the boy at that moment than ever before. â€Å"My time of indenture is not ended,† Wulfgar began, â€Å"yet I have repaid my debt to you, my friend, and to your people many times over. â€Å"I am Wulfgar!† he proudly proclaimed, his jaw firm and his muscles tightened with tension. â€Å"No more a boy but a man! A free man!† Bruenor felt the moisture rimming his eves. For the first time he did nothing to conceal it. He walked out before the huge barbarian and returned Wulfgar’s unyielding stare with a look of sincere admiration. â€Å"So ye are,† Bruenor observed. â€Å"Then might I ask ye, on yer choice, if ye’ll stay and fight beside me?† Wulfgar shook his head. â€Å"My debt to you is paid, in truth. And forever I shall name you as my friend†¦dear friend. But I have another debt yet to pay.† He looked out to Kelvin’s Cairn and beyond. The countless stars shone clearly over the tundra, making the open plain seem even more vast and empty. â€Å"Out there, in another world.† Catti-brie sighed and shuffled uncomfortably. She alone fully understood the vague picture that Wulfgar was painting. And she wasn’t pleased with his choice. Bruenor nodded, respecting the barbarian’s decision. â€Å"Go then, and live well,† he said, straining to hold his breaking voice even as he moved to the rocky trail. He paused for one last moment and looked back at the tall, young barbarian. â€Å"Yer a man, there’s none to argue that,† he said over his shoulder. â€Å"But don’t ye never forget that ever ye’ll be me boy!† â€Å"I shan’t,† Wulfgar whispered softly as Bruenor disappeared into the tunnel. He felt Drizzt’s hand on his shoulder. â€Å"When do you leave?† the drow asked. â€Å"Tonight,† Wulfgar replied. â€Å"These grim days offer no leisure.† â€Å"And where do you go?† Catti-brie asked, already knowing the truth, and also the vague answer that Wulfgar would give. The barbarian turned his misty gaze back out to the plain. â€Å"Home.† He started back down the trail, Regis following. But Catti-brie waited behind and motioned for Drizzt to do likewise. â€Å"Say your farewells to Wulfgar this night,† she told the drow. â€Å"I do not believe that he shall ever return.† â€Å"Home is a place for him to choose,† Drizzt replied, guessing that the news about Heafstaag joining Kessell had played a part in Wulfgar’s decision. He watched the departing barbarian with respect. â€Å"He has some private matters to attend to.† â€Å"More than you know,† Catti-brie said. Drizzt looked at her curiously. â€Å"Wulfgar has an adventure in mind,† she explained. She hadn’t meant to break her trust with Wulfgar, but figured that Drizzt Do’Urden, above anyone else, might be able to find a way to help. â€Å"One that I believe has been put upon him before he is ready.† â€Å"Matters of the tribe are his own business,† Drizzt said, guessing what the girl was suggesting. â€Å"The barbarians have their own ways and do not welcome outsiders.† â€Å"Of the tribes, I agree,† said Catti-brie. â€Å"Yet Wulfgar’s path, unless I am mistaken, does not lead directly home. He has something else ahead of him, an adventure that he has often hinted at but never fully explained. I only know that it involves great danger and a vow that even he fears is above his ability to fulfil alone.† Drizzt looked over the starry plain and considered the girl’s words. He knew Catti-brie to be shrewd and observant beyond her years. He did not doubt her guesses. The stars twinkled above the cool night, the celestial dome engulfing the flat rim of the horizon. A horizon as yet unmarked by the fires of an advancing army, Drizzt noted. Perhaps he had time. * * * Although Cassius’s proclamation reached even the most remote of the towns within two days, few groups of refugees came down the roads to Bryn Shander. Cassius had fully expected this, or he never would have made the bold offer of sheltering all who would come. Bryn Shander was a fair-sized city, and her present population was not as large as it had once been. There were many vacant buildings within the walls, and an entire section of the city, reserved for visiting merchant caravans, lay empty at the present time. However, if even half of the people of the other nine communities sought refuge, Cassius would be hard-pressed to honor his pledge. The spokesman wasn’t worried. The people of Ten-Towns were a hardy folk and lived under the threat of a goblin invasion every day. Cassius knew that it would take more than an abstract warning to make them leave their homes. And with the allegiance between the towns at such a low point, few of the town leaders would take any action at all to convince their people to flee. As it turned out, Glensather and Agorwal were the only spokesmen to arrive at the gates of Bryn Shander. Nearly all of Easthaven stood behind their leader, but Agorwal had less than half of the people of Termalaine behind him. The rumors from the arrogant city of Targos, itself nearly as well-defended as Bryn Shander, made it clear that none of its people would leave. Many of Termalaine’s fishermen, fearing the economic advantage that Targos would gain over them, had refused to give up the most lucrative month of the fishing season. Such was the case with Caer-Konig and Caer-Dineval. Neither of the bitter enemies dared give any edge to the other, and not a single person from either city fled to Bryn Shander. To the people of these embattled communities, the orcs were but a distant threat that would have to be dealt with if it ever materialized, but the fighting with their immediate neighbors was brutally real and evident in all of their daily routines. On the western outskirts, the town of Bremen remained fiercely independent of the other communities, viewing Cassius’s offer as a feeble attempt by Bryn Shander to reaffirm its position of leadership. Good Mead and Dougan’s Hole in the south had no intention of hiding in the walled city or of sending any troops to aid in the fighting. These two towns on Redwaters, smallest of the lakes and poorest in terms of knuckleheads, could not afford any time away from the boats. They had heeded the call for unity five years previous under the threat of a barbarian invasion, and though they had suffered the worst losses of all the towns in the battle, they had gained the least. Several groups filtered in from Lonelywood, but many of the folk of the northernmost town preferred to stay out of the way. Their hero had lost face, and even Muldoon now viewed the halfling in a different light and passed the warning of invasion off as a misunderstanding, or perhaps even a calculated hoax. The greater good of the region had fallen beneath the lesser personal gains of stubborn pride, with most of the people of Ten-Towns confusing unity with dependence. * * * Regis returned to Bryn Shander to make some personal arrangements on the morning after Wulfgar departed. He had a friend coming from Lonelywood with his prized belongings, so he remained in the city, watching in dismay as the days drifted by without any real preparations being made to meet the coming army. Even after the council, the halfling had held out some hope that the people would realize the impending doom and band together, but now he came to believe that the dwarves’ decision to abandon Ten-Towns and lock themselves into their mines was the only option they had if they wished to survive. Regis partially blamed himself for the coming tragedy, convinced that he had gotten careless. When he and Drizzt had concocted plans to use political situations and the power of the ruby to force the towns into unity against the barbarians, they had spent many hours predicting the initial responses of the spokesmen and weighing the worth of each town’s alliance. This time, though, Regis had placed more faith in the people of Ten-Towns and in the stone, figuring that he could simply employ its power to sway any of the few remaining doubters of the severity of the situation. Yet Regis could not sustain his own guilt as he heard the arrogant and mistrusting responses coming in from the towns. Why should he have to trick the people into defending themselves? If they were stupid enough to let their own pride bring about their destruction, then what responsibility, or even what right, did he have to rescue them? â€Å"You get what you deserve!† the halfling said aloud, smiling in spite of himself when he realized that he was beginning to sound as cynical as Bruenor. But callousness was his only protection against such a helpless situation. He hoped that his friend from Lonelywood would arrive soon. His sanctuary lay underground. * * * Akar Kessell sat on the crystal throne in the Hall of Scrying, the third level of Cryshal-Tirith, his fingers tapping nervously on the arm of the great chair as he stared intently at the dark mirror before him. Biggrin was long overdue with the report on the reinforcement caravan. The last summons the wizard had received from the lair had been suspicious, with no one on the end to greet his reply. Now the mirror in the lair revealed only blackness, resisting all of the wizard’s attempts to scry out the room. If the mirror had been broken, Kessell would have been able to sense the shift in his visions. But this was more mysterious, for something he could not understand was blocking his distance sight. The dilemma unnerved him, made him think that he had been deceived or discovered. His fingers continued to rap nervously. â€Å"Perhaps it is time to make a decision,† Errtu, in its customary place at the side of the wizard’s throne, suggested. â€Å"We have not yet reached our fullest strength!† Kessell retorted. â€Å"Many goblin tribes and a large clan of giants have not come in. And the barbarians are not yet ready.† â€Å"The troops thirst for battle,† Errtu pointed out. â€Å"They fight with each other – you may find that your army will soon fall apart around you!† Kessell agreed that holding so many goblin tribes together for long was a risky and dangerous proposition. Perhaps it would be better if they marched at once. But still, the wizard wanted to be certain. He wanted his forces at their strongest. â€Å"Where is Biggrin?† Kessell wailed. â€Å"Why hasn’t he answered my summons?† â€Å"What preparations are the humans now making?† Errtu asked abruptly. But Kessell was not listening. He rubbed the sweat from his face. Maybe the shard and the demon had been right about sending the less-conspicuous barbarians to the lair. What must the fishermen be thinking if they found such an unusual combination of monsters lairing in their area? How much had they guessed? Errtu noted Kessell’s discomfort with grim satisfaction. The demon and the shard had been pushing Kessell to strike much earlier, as soon as Biggrin’s messages had stopped coming in. But the cowardly wizard, needing more assurance that his numbers were overwhelming, had continued to delay. â€Å"Shall I go to the troops?† Errtu asked, confident that Kessell’s resistance was gone. â€Å"Send runners to the barbarians and to the tribes that have not yet joined us,† Kessell instructed. â€Å"Tell them that to fight beside us is to join in the feast of victory! But those who do not fight beside us shall fall before us! Tomorrow we march!† Errtu rushed from the tower without delay, and soon cheers for the onset of war echoed throughout the huge encampment. Goblins and giants raced excitedly about, breaking down tents and packing supplies. They had anticipated this moment for long weeks, and now they wasted no tine in making the final preparations. That same night, the vast army of Akar Kessell pulled up its camp and began its long march toward Ten-Towns. Back in the routed verbeeg lair, the scrying mirror sat unmoved and unbroken, securely covered by the heavy blanket that Drizzt Do’Urden had thrown over it. How to cite The Crystal Shard 20. A Slave to No Man, Essay examples

Dance Performance Review Construct Essay Example For Students

Dance Performance Review Construct Essay â€Å"Construct,† by Tanja Liedtle, was a very passionate and expressive work. It explores a narrative of life, and the emotions felt within life experiences. When researching performance choices for this analysis, I was drawn to the overview of, â€Å"Construct,† from, On the Boards TV, which states this performance as, â€Å"a tongue-in-cheek look at the act of making performance and the connection to building a home, a relationship and a life. † As an artist, mother, and wife, this topic intrigued me immensely. I know first-hand the day to day juggle and battle to create a solid foundation for a future career, while also protecting, nurturing, and supporting, my family. I feel this performance really captured the emotional experience of everyday life, and the progression through life. It was passionate, and passion is a bittersweet emotion. One moment can feel like pure ecstasy, while the very next pure hell. Yet, you cannot experience one extreme, without risk of the other. This performance captured both sides of the spectrum, and I feel every individual experiences these emotions to some degree in their life. The movement was performed by three dancers, Kristina Chan, Alessandra Mattana, and Paul White. The dancers use simple building materials as props, which create a very unique and interesting environment, constantly changing around them. The performance explores the way we construct our lives through the use of literal, and metaphorical means. It portrays a very wide ray of life experiences such as showering, and using the toilet, and even exploring the progression and cycle of life through innocent infatuation, love, sex, birth, death, all the way to murder and suicide. The show starts with all three performers sharing an almost psychotic grin, and immediately the two females drop stiff as a board. They seem to have an almost rag doll appearance. The male dancer, Paul White, rushes back and forth across the stage to catch and manipulate them, as they tip over. The performance almost seems to depict a strange love triangle, in which White is attempting to juggle supporting both women. After rushing about stacking and piling them, he ultimately seeks the assistance of a hand held electric drill, which he uses to control and manipulate them into their final position; where he drills them into place. Several times throughout the performance, lights and shadows were used to express the storys emotion, and aided the narrative. The dancers use the smallest amount of movement, using only their hand and fingers to cast shadows, which looked like dancers interacting on the back wall. This style of expression seemed to create an emotion of innocent and sincerity. They also use just the movement of their fingers, without the shadow puppetry. This too seemed very effective. I was really amazed how the dancers just used their hands and fingers, yet it came across so expressive and sincere. It seemed to aid in the variety of the overall show. I never knew what to expect next. One minute I felt innocent again, viewing the very same shadow puppets I had once created, and then with the blink of the eye I’m viewing topless petting, with erotic moans and embraces. The lighting, music, and props all seemed to aid effectively in creating the right environment for the narrative. The variety of music and sound effects, along with the change in lighting, seemed very effective and created a smooth transition for tempo changes. The props seemed to be used in an extreme and powerful manner. The final image of White building a lattice structure around the female dancer, which forms an almost tomb type of entrapment was so overwhelming. From the lighting to the gradual building of the form, I felt as if I was watching a human being transformed into a sculpture of intense meaning. It gave me goose bumps. I feel the narrative expressed was both literal and metaphorical. This piece spoke to me on a very intimate level. I believe it explored how we can build the life we want, or think we want. .u0f370c5e130a0764839216f15c2e14a5 , .u0f370c5e130a0764839216f15c2e14a5 .postImageUrl , .u0f370c5e130a0764839216f15c2e14a5 .centered-text-area { min-height: 80px; position: relative; } .u0f370c5e130a0764839216f15c2e14a5 , .u0f370c5e130a0764839216f15c2e14a5:hover , .u0f370c5e130a0764839216f15c2e14a5:visited , .u0f370c5e130a0764839216f15c2e14a5:active { border:0!important; } .u0f370c5e130a0764839216f15c2e14a5 .clearfix:after { content: ""; display: table; clear: both; } .u0f370c5e130a0764839216f15c2e14a5 { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .u0f370c5e130a0764839216f15c2e14a5:active , .u0f370c5e130a0764839216f15c2e14a5:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .u0f370c5e130a0764839216f15c2e14a5 .centered-text-area { width: 100%; position: relative ; } .u0f370c5e130a0764839216f15c2e14a5 .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .u0f370c5e130a0764839216f15c2e14a5 .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .u0f370c5e130a0764839216f15c2e14a5 .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .u0f370c5e130a0764839216f15c2e14a5:hover .ctaButton { background-color: #34495E!important; } .u0f370c5e130a0764839216f15c2e14a5 .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .u0f370c5e130a0764839216f15c2e14a5 .u0f370c5e130a0764839216f15c2e14a5-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .u0f370c5e130a0764839216f15c2e14a5:after { content: ""; display: block; clear: both; } READ: Capoiera EssayHowever, once it is finally obtained in all its glory, we might then just realize that all we built was a prison around us; an entrapment through physical and psychological shelter. It really brought goose bumps to arms. The modern choreography and intensity the dancers brought to the stage was incredible. The whole performance from the jolly sarcasm to the yelling of, â€Å"building foundations for dreams,† created an outstanding story, full of meaning, energy, and passion. My only regret is not being able to view it real life.